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| Letter to Carol I was struggling to find some reason I was out there on the stage. I guess it was like I was trying to play the entire show instead of living moment to moment. Sunday I fell a bit into a couple of my traps. The first being, "Last night was so good so just do that again." The second being, and this is harder to explain, "This can't be good because I am not creating on the spot but just revealing material I discovered last night." I caught myself early on though and just went to my breath. Re-discovered, Discovery for the 2000th time: "It is none of my business whether or not it is any good. It is none of my business whether or not the material is exactly the same, a little different or altogether different from another performance. It is my business to do what I have to do to find a free breath 'cause what could feel better in the world then a free breath followed by another one followed by another. I truly didn't know whether or not the performance was any good. After one of the most poorly written scenes of the show, the guy I work with most on the stage, Norman, the old Brit Music Hall guy, came up to me and said, "Hey, that scene finally worked, what were you doing out there?" I just smiled at him and took another free breath." Stephen Ringold |
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